9:00–10:30 |
Joint IAML - DLfM Session — Chair: Laurent Pugin |
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Segmentation, Transcription, Analysis and Visualisation of the Norwegian Folk Music Archive |
Olivier Lartillot, Anders Elowsson, Mats Johansson and Hans-Hinrich Thedens |
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Summary Features as the Basis for Content-Based Queries of Symbolic Music Repositories [IAML Submission] |
Cory McKay and Julie E. Cumming |
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Full-Text Searching of Music Online: An update on progress in F-TEMPO [IAML Submission] |
Tim Crawford and Alastair Porter |
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10:30–11.00 |
Coffee break and poster session (see below) |
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11:00–12.30 |
Session 1 – Data and models — Chair: Claire Arthur |
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A model for annotating musical versions and arrangements across multiple documents and media |
David Lewis, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Christine Siegert and Kevin Page. |
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Digitization of Choirbooks in Guatemala |
Martha E. Thomae, Julie E. Cumming and Ichiro Fujinaga |
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A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies |
Dinh-Viet-Toan Le, Mathieu Giraud, Florence Levé and Francesco Maccarini |
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14:00–15.30 |
Session 2 - FAIR principles in Digital Libraries for Musicology — Chair: Desiree Mayer |
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The Vienna Philharmonic Orchestra's New Year's Concerts: Building a FAIR Data Corpus for Musicology |
David M. Weigl, Chanda Vanderhart, Matthäus Pescoller, Delilah Rammler, Markus Grassl, Fritz Trümpi and Werner Goebl |
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FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources |
Alan Dix, Stephen Downie, Rachel Cowgill, Charlotte Armstrong, Rupert Ridgewell, Michael Twidale, Maureen Reagan and Kathleen McGowan |
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The Alignment of Open Access with FAIR Principles in Musicological Publishing and Teaching |
Anne Shelley and Rachel Scott |
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15:30–16:00 |
Coffee break and poster session (see below) |
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16:00–17:30 |
Session 3 - Tools and visualisation — Chair: Martha E. Thomae |
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MeRIT: An interactive annotation tool for mensural rhythms |
Anna Plaksin and David Lewis |
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Phantom Curves: Scientific Discovery through Interactive Music Visualization |
Fabian C. Moss, Giovanni Affatato and Daniel Harasim |
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Polyrhythm Analysis Using the composite Tool |
Ève Poudrier and Craig Stuart Sapp |