2023 Programme
The conference will be held on Friday 10 November 2023 in Milan, as a satellite event of ISMIR.
All sessions (papers and posters) will be at the Biblioteca del Conservatorio di Milano.
Preliminary programme:
Oral presentations
9:15 | Welcome | |
9:25 | Session 1: Music Heritage Preservation and Traditional Music | Chair: David M. Weigl | |
A Multimodal Methodology for Music Field Recording and Archival Short paper |
Juan Sierra, Safeya Alblooshi, Beth Russell, and Carlos Guedes | |
Aligning Incomplete Lyrics of Korean Folk Song Dataset using Whisper Short paper |
Danbinaerin Han, Daewoong Kim, and Dasaem Jeong | |
An Algorithmic Approach to Automated Symbolic Transcription of Hindustani Vocals Long paper |
Rhythm Jain and Claire Arthur | |
Computational Similarity of Portuguese Folk Melodies Using Hierarchical Reduction Long paper |
Nádia Carvalho, Daniel Diogo, and Gilberto Bernardes | |
Incorporating Symbolic Representations of Traditional Music into a Digital Library |
Magdalena Chudy, Arleta Nawrocka-Wysocka, Ewa Łukasik, Ewa Kuśmierek, and Tomasz Parkoła | |
10:50 | Coffee break sponsored by the Software Sustainability Institute | |
11:20 | Session 2: The Human Factor in Digital Music Research and Performance | Chair: Fabian C. Moss | |
Attitudes of Music Scholars Towards Digital Musicology Short paper |
Audrey Laplante and Jean-Sébastien Sauvé | |
Understanding the Needs of Music Editors in a Digital World: Adding Support for Editorial Markup to the mei-friend Editor Long paper |
Anna Plaksin | |
The “OpenScore String Quartet” Corpus Long paper |
Mark Gotham, Maureen Redbond, Bruno Bower, and Peter Jonas | |
Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance Long paper |
Silvan David Peter, Carlos Eduardo Cancino-Chacón, Emmanouil Karystinaios, and Gerhard Widmer | |
12:40 | Software Sustainability Challenge Introduction | David Lewis and Kevin Page | |
12:45 | Lunch break and poster session (starting from 13:20, see below) | |
14:00 | Session 3: Analysis Tools and Similarity Studies | Chair: Anna Plaksin | |
MonodiKit: A Data Model and Toolkit for Medieval Monophonic Chant |
Tim Eipert and Fabian C. Moss | |
Text Boundaries Do Not Provide a Better Segmentation of Gregorian Antiphons Short paper |
Vojtěch Lanz and Jan Hajič Jr. | |
Exploring Early Vocal Music and its Lute Arrangements: Using F-TEMPO as a Musicological Tool Short paper |
Tim Crawford, David Lewis, and Alastair Porter | |
Visual Presentation and Exploration of Musical Corpora – Case Study: Oskar Kolberg's Opera Omnia Short paper |
Anna M. Matuszewska | |
Cross-Corpus Melodic Similarity For Enriching Archival Collections Short paper |
Peter van Kranenburg and Eoin Kearns | |
The ‘Measure Map’: An Inter-Operable Standard for Aligning Symbolic Music Long paper |
Mark Gotham, Johannes Hentschel, Louis Couturier, Nathan Dykeaylen, Martin Rohrmeier, and Mathieu Giraud | |
15:30 | Coffee break and poster session (see below) | |
16:10 | Session 4: Music Research Environments | Chair: David Lewis | |
Designing a Spatial Hypermedia Musical "Lab Notebook" to Support Ethnomusicology Research Long paper |
Sally Jo Cunningham, Daniel B. Sharp, and David Bainbridge | |
Listen Here! A Web-Native Digital Musicology Environment for Machine-Assisted Close Listening Long paper |
David M. Weigl, Chanda VanderHart, Delilah Rammler, Matthäus Pescoller, and Werner Goebl | |
Collaborative Musicology: Designing a Digital Library of Musical Events Ephemera |
David Bainbridge, J. Stephen Downie, Rachel Cowgill, Frankie Perry, Alan J. Dix, and Michael B. Twidale | |
Connecting Online Early Music Libraries and Musicological Resources: Experiments in Ergonomics in the Biblissima+ Framework Short paper |
David Fiala and Kévin Roger | |
17:30–17:40 | Farewell |
Poster presentations (13:20-14:00 and 15:30-16:10)
End-to-End Loading of New Music Libraries to F-Tempo via IIIF | Alastair Porter, Tim Crawford, and David Lewis | |
The DIDONE Corpus | Ana Llorens and Álvaro Torrente | |
Online Tools for Musicology in Dariah.lab |
E. Łukasik, T. Łukaszewski, M. Sroczan, M. Pałasz, S. Graczyk, K. Kubzdela, F. Szymński, W. Kasperski, Z. Piniarska, M. Kałamoniak, P. Poznaniak, M. Chudy, and A. Nawrocka-Wysocka |
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The Beethoven in the House Annotator: A Linked Data Tool for Annotating Libraries of Music Editions and Images | Johannes Kepper, Mark Saccomano, Andrew Hankinson, David Lewis, Lisa Rosendahl, Elisabete Shibata, and Kevin Page | |
Technology-Driven Metadata Encodings for Historical Recordings | Joshua Neumann and Kristina Richts-Matthaei | |
Building Symbolic Music Archives from Audio: Investigating State-of-the-Art Automatic Music Transcription Systems | Lele Liu and Christof Weiss | |
Ricercar Data Lab - Early Music Database | Sarra Ferjani and Suzy Piat | |
MELOS: A Musical Ontology Framework for Diverse Cultural Repositories | Savvas Kazazis, Vera Kriezi, Nikolaos Papazis, George Kokkonis, Evgenios Politis, Valia Vraka, Pantelis Brattis, Asterios Zacharakis, Alexandros Charkiolakis, and Emilios Cambouropoulos | |
Preservation of Non-Western Music Heritage through Digital Encoding | Shintaro Seki | |
Communities in Medieval Troper Networks are Shaped by Carolingian Politics | Tim Eipert and Fabian C. Moss | |
ECOLM and Lute Tablature |
Chris Cannam, David Lewis, and Tim Crawford | |
Can Music Libraries Withstand the Diversity of Music Resources? |
Shintaro Seki | |
Sustainability Challenges for the MerMEId |
Peter Stadler and Daniel Jettka |