9th International Conference on Digital Libraries for Musicology

The 9th International Conference on Digital Libraries for Musicology (DLfM), In association with the annual conference the International Association of Music Libraries (IAML), 28–29 July 2022

The Digital Libraries for Musicology (DLfM) conference is the premiere venue for scholars engaging with digital libraries in the domain of music and musicology. It provides a forum for musicians, musicologists, librarians, and technologists to share findings and expertise.

While the official call for papers for 2022 is not yet out, we are pleased to provide preliminary, provisional details here to assist with advance planning. Please await the CfP for dates and other official information.

LOCATION, COLLABORATION

In 2021 we had a successful and productive first collaboration with the International Association of Music Libraries (IAML), although the pandemic forced us to hold this online and thus miss out on the ‘full experience’. That being the case, like many conferences, we are aiming to use 2022 to run the ‘real’ version of what we had planned for 2021. We are thus delighted to remain with IAML for a second year in the hope that we can benefit from a full, in-person conference this time.

DLfM 2022 will take place on 28–29 July 2022, at the Municipal Library in Prague, within the wider IAML conference (https://www.iaml.info/congresses/2022-prague). The provisional programme is as follows (times TBC):

  • Thursday 28th: Joint DLfM-IAML poster session/s.
  • Thursday 28th: DLfM-only paper sessions
  • Friday 29th: Joint DLfM-IAML paper session

DLfM partners with IAML, ISMIR, and other conferences to encourage new collaborations and discussions surrounding prominent issues in our shared field.

We anticipate a deadline for submissions in mid-March. Exact dates are TBC.

BACKGROUND

While Digital Libraries have long offered facilities to provide multimedia content, the requirements of systems for library music are complex. The many forms taken by musical data, the needs for connections between these, and the importance of scholarly and historical contextual information all require special care to support meaningful engagement with the materials.

The Digital Libraries for Musicology (DLfM) conference presents a venue specifically for those working on, and with, Digital Library systems and content in the domain of music and musicology. This includes Music Digital Library systems, their application and use in musicology, technologies for enhanced access and organisation of musics in Digital Libraries, bibliographic and metadata for music, intersections with music Linked Data, and the challenges of working with the multiple representations of music across large-scale digital collections such as the Internet Archive and HathiTrust.

DLfM focuses on the implications of music for Digital Libraries and Digital Libraries research, especially when pushing the boundaries of contemporary musicology through the application of techniques from more technology-oriented fora such as ISMIR and ICMC. This instalment of DLfM conference follows previous conferences in Montreal, The Hague, Paris, New York, Shanghai, Knoxville and London.

CONFERENCE OBJECTIVES

  • to act as a forum for reporting, presenting, evaluating and disseminating work combining technology with musicology through Digital Library systems;
  • to critically evaluate the operation of Music Digital Libraries and the applications and findings that flow from them;
  • to re-evaluate existing Music Digital Libraries, particularly in light of the transformative methods and applications emerging from musicology, large collections of both audio and music-related data, ‘big data’ methods, and MIR;
  • to explore how digital libraries and digital musicology can combine to offer richer online access to online music collections;
  • to set the agenda for work in the field to address these new challenges and opportunities.

TOPICS

Topics of interest include, but are not limited to:

  • Building and managing digital music collections
    • Optical music recognition
    • Information literacies for Music Digital Libraries
    • Data quality assessment
  • Access, interfaces, and ergonomics
    • Interfaces and access mechanisms for digital music content
    • Identification/location of music (in all forms) in generic Digital Libraries
    • Techniques for locating and accessing music in very large Digital Libraries (e.g. HathiTrust, Internet Archive)
    • Mechanisms for combining multi-form music content within and between Digital Libraries and other digital resources
    • User information needs and behaviour for Music Digital Libraries
  • Musicological knowledge
    • Music data representations, including manuscripts/scores and audio
    • Applied MIR techniques for digital music content or analysis
    • Computational and systematic approaches to musicological analysis
    • Extraction of musical concepts from symbolic notation and/or audio data
    • Metadata and metadata schemas for music
    • Application of Linked Data and Semantic Web techniques to Music Digital Library content, access, or organisation
    • Ontologies and categorisation of musics and music artefacts
  • Improving data for musicology
    • Musical corpus-building at scale
    • Enriching public access to music, music-cultural, and music-ephemera material online
    • Digital Libraries showcasing need or support of musicology and/or other scholarly domain
    • Digital Libraries combining resources for musicology (e.g. combining audio, scores, bibliographic, geographic, ethnomusicology, performance, etc.)

Sponsors

Let us know if you would like to sponsor this event