2025 Programme

The conference will be held on Friday 26 September 2025 in Seoul, as a satellite event of ISMIR.

All paper sessions will take place in Room G109 of Gabriel Hall, Sogang University.

Poster sessions will take place in TV Studio B (B117) of the same building.

Presentation durations:

Full papers: 15' presentation + 5' Q&A

Short papers: 12' presentation + 3' Q&A

 

The preliminary programme follows below. All times are given in the local KST timezone (UTC+9).

Oral presentations

9:00-9:10 Welcome
9:10-10:40 Session 1: Digital collections and datasets
9:10 The IRMA Dataset: A Structured Audio–MIDI Corpus for Iranian Classical Music
Full paper
Sepideh Shafiei and Shapour Hakam
9:30 A Multimodal Dataset of Greek Folk Music
Full paper
Anna Maria Christodoulou and Olivier Lartillot
09:50 The Cancionero de Miranda Edition: Leveraging Open Source Technologies for Multi-Modal Music Publication
Full paper
Fernando Herrera de Las Heras
10:10 Curating a Public Carnatic Music Dataset: Scalable Extraction of Ragam, Shruti, and Talam Metadata for Computational Musicology
Short paper
Sanjay Natesan and Homayoon Beigi
10:25 Sustainable Archiving of Music Databases through RDF and NLQ2SPARQL
Short paper
Ichiro Fujinaga
   
10:40-11:30 Coffee break & posters
   
11:30-13:00 Session 2: Reflections on digital editions and musicological tools
11:30 (Digital) Philology for/of Multiple Creative Processes: Considering Notation, Recordings, and Digital Editions
Full paper
Joshua Neumann
11:50 Drafting the Landscape of Computational Musicology Tools: A Survey-Based Approach
Full paper
Jorge Junior Morgado Vega, Sachin Sharma and Federico Simonetta
12:10 Annotation of digital music notation documents: surveying needs for a generalised implementation
Full paper
Kevin Page, David Lewis and Laurent Pugin
12:30 MuNG Studio: Annotation Tool for Music Notation Graph
Short paper
Jiří Mayer, Filip Jebavý, Markéta Herzánová Vlková, Martina Dvořáková, Pavel Pecina and Jan Hajič Jr.
12:45 Collaborative workflows for encoding, validating, and publishing a multimodal digital edition
Short paper
David M. Weigl, Olja Janjuš, Reinier de Valk, Ilias Kyriazis, Julia Jaklin, Stefan Rosmer, Silas Bischoff, Henning Burghoff, Martina Bürgermeister, Christoph Steindl, Andreas Rauber and Kateryna Schöning
   
13:00-14:00 Lunch break
   
14:00-15:30 Session 3: Analysis and building digital collections
14:00

Performance Configuration Analysis in Portuguese Traditional Music: A Computational Approach
Full paper

Nawaraj Khatri and Gilberto Bernardes
14:20 Leveraging Large-language Models for Thematic Analysis of Children’s Folk Lyrics: A comparative study of Iberian Traditions
Full paper
Jorge Forero Rodriguez and Gilberto Bernardes
14:40 The Polyphonic Audio to Roman Corpus
Full paper
Thiago Poppe, Luisa Lopes and Flavio Figueiredo
15:00 Accompaniment in America: A Minimal-Computing Digital Collection for Hybrid Musicological Publication
Short paper
Chanda Vanderhart, David Wögerbauer and David M. Weigl
15:15 Knowing when to stop: insights from ecology for building catalogues, collections, and corpora
Short paper
Jan Hajič Jr. and Fabian C. Moss
   
15:30-16:20 Coffee break & posters
   
16:20-17:10 Session 4: Tools
16:20 Smashcima: Full-Page Handwritten Music Document Synthesizer
Short paper
Jiří Mayer, Pavel Pecina and Jan Hajič Jr.
16:35 From Pixels to Paleography: A Dual-Pathway Neural Network for Neume Script Classification
Full paper
Kyrie Bouressa and Ichiro Fujinaga
16:55

Modelling Musical Meaning: A Semantically Enriched Corpus from Nineteenth-Century Spanish Music Lexicons
Short paper

Teresa Cascudo García-Villaraco, David Ferreiro Carballo and Arturo de Las Casas Escolar
17:10-17:20 Farewell

Poster presentations (10:40-11:30 and 15:30-16:20)

Universal Musical Instrument Lexicon: A Crowdsourced Platform for Expanding Multilingual Vocabularies and Enhancing Global Access to Musical Instrument Metadata Kun Fang, Kyrie Bouressa, Yu Chia Kuo, Anna de Bakker and Ichiro Fujinaga  
The Intersection of Music and Cybernetics and Its Beginnings: Alvin Lucier's Music for Solo Performer (1965) Yerim Gim  
Digitally Unpacking Musical Treasures from Archduke Rudolph’s Musikalien Register Nr. 9 at the Gesellschaft der Musikfreunde, Wien

Stephen Husarik

 
From Digital Editions to Interpretive Insights: Reimagining Čiurlionis' Piano Legacy

Jūratė Janutėnaitė-Bogdanienė, Darius Kučinskas and Laimonas Janutėnas

 
Toward the Archiving of Performance Data in Music Therapy and Early Childhood Education

Risa Kobayashi, Kanae Suzuki, Ikki Ohmukai, Nami Iino, Hiroko Terasawa and Masaki Matsubara

 
Reviving Lost Voices: Digital Archiving of Indigenous Folk Song Field Recordings from 1960s Taiwan

Liang Lee

 
How graphic design enables new capabilities in MuRET

Marina Maciá, David Rizo, Javier Sanchis

 
Works in RISM

Laurent Pugin, Jennifer Ward and Claudio Bacciagaluppi

 
Distorted Realities: Classifying Extreme Vocals Between Harmony and Noise — A Machine–Human Evaluation of Vocal Confusion Patterns

Xuhong Qiu and Emilia Parada-Cabaleiro.

 
Structuring RDF-Based Metadata to Enhance Access to Digitized Gagaku Scores

Shintaro Seki

 
Music data representations, including manuscripts/scores and audio Applied MIR techniques for digital music content or analysis

Juyong Uhm, Jeongmi Park, Siwoo Woo and Areum Yang

 
Vmus.net: A Web-based Platform Transforming Music Performance Research in China and Beyond

Jian Yang, Haishen Yu, David Weigl, Chanda VanderHart and Werner Goebl

 
Modelling Flute Difficulty through a Corpus of Annotated Scores

Rui Yang, Xiaotong Cai, Mathieu Giraud, Marc-Antoine Houën, Florence Levé and Dingjin Ma