| 9:00 |
Welcome |
| 9:15 |
Paper session: Working with images, working with notation | Chair: Claire Arthur |
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Jason Stoessel, Denis Collins and Scott Bolland
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Using Optical Music Recognition to Encode 17th-Century Music Prints: The Canonic Works of Paolo Agostini (c.1583–1629) as a Test Case |
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Antonio Ríos-Vila, Jorge Calvo-Zaragoza and David Rizo |
Evaluating Simultaneous Recognition and Encoding for Optical Music Recognition |
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Néstor Nápoles López, Laurent Feisthauer, Florence Leve and Ichiro Fujinaga |
On Local Keys, Modulations, and Tonicizations: A Dataset and Methodology for Evaluating Changes of Key |
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Yaolong Ju, Sylvain Margot, Cory McKay and Ichiro Fujinaga |
Automatic Chord Labelling: A Figured Bass Approach |
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| 10:15 |
Break with demos and discussion |
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| 11:15 |
Panel discussion | Chair: Audrey Laplante; Panellists: Rachel Cowgill, Julie Cumming, Cynthia Liem, Houman Behzadi |
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Rachel Cowgill, Alan Dix, Christina Bashford, Maureen Reagan, J. Stephen Downie, Mike Twidale, Simon McVeigh and Rupert Ridgwell |
Democratising Digitisation: Making History with Community Music Societies in Digitally Enabled Collaborations |
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Peter Shirts |
The Case for Open Access Scholarly Reference in Music |
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12:00
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Break with demos and discussion |
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| 13:30 |
Paper session: Working with music collections | Chair: Francesca Giannetti |
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Laurent Pugin and Claudio Bacciagaluppi |
An Analysis of Musical Work Datasets and Their Current Level of Linkage |
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Bas Cornelissen, Willem Zuidema and John A. Burgoyne |
Studying Large Plainchant Corpora Using chant21 |
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Jeremy Sawruk and Jacob Walls |
Personalized Sheet Music Search |
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David M. Weigl, Tim Crawford, Werner Goebl, Alex Hofmann, Cynthia C. S. Liem, Alastair Porter and Federico Zubani |
Read/Write Digital Libraries for Musicology |
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| 14:35 |
Conclusions and continuing discussions over Zoom and Slack |
